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Exhibitions
Commemorating Judy Chicago’s half-century career as a pioneer in the field of pyrotechnics, this limited-edition signed print was created to accompany Through the Flower’s exhibition, On Fire: Judy Chicago Fireworks with Photographs by Donald Woodman.
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Through the Flower Art Space will be open to the public during our regularly scheduled days and hours beginning July 16th!

Guests planning on visiting Through the Flower's Art Space are required to make an appointment in advance.
You may call 505-864-4080 to book an appointment over the phone.

Please note that we can only accommodate groups of 5 or less during each 1/2 hour time slot. Masks will be required. 

Please DO NOT book an appointment if the following statements are true:

  • You have on or more of the following symptoms:
    • A persistent cough
    • Shortness of breath
    • Difficulty breathing
  • You have been in contact with someone in the last 14 days who is experiencing the symptoms above
  • You have been in contact with someone in the last 14 days who has since tested positive for COVID-19

On Fire: Judy Chicago Fireworks with Photographs by Donald Woodman

 

Virtual Walkthrough with Judy Chicago

Through the Flower is pleased to announce a new exhibition opening at the Through the Flower Art Space: On Fire: Judy Chicago Fireworks with Photographs by Donald Woodman. Kicking off a year highlighting Judy Chicago’s long history of working with pyrotechnics, the exhibition will feature large-scale vintage documentary photographs printed on aluminum from Chicago’s early Atmospheres works (1968-1972) and Women and Smoke performances (1972). Additionally, included are recent commissions photographed by Donald Woodman. To accompany this year-long exhibition, the Art Space’s public program events will focus on related themes of land art, performance, and pyrotechnics.

Between 1968 and 1974, Judy Chicago executed a series of increasingly complex, site-specific fireworks pieces in and around Southern California. Counteracting the male-dominated 60s art scene at the time, Chicago’s aim then was to feminize the atmosphere, even if for a fleeting moment. “What I was doing was liberating my color and just letting it loose in the air.”

In recent years, there has been a resurgence of interest and appreciation for Chicago’s fireworks performances starting with the commission of two works for the J. Paul Getty Museum-funded initiative, Pacific Standard Time’s Performance Festival in 2012, and more recently with a major “smoke sculpture” for ICA Miami titled, A Purple Poem for Miami in 2019.

In February 2020, the Nevada Museum of Art announced the acquisition of Chicago’s entire fireworks archive for its Center for Art + Environment archive collections. The Museum will celebrate this significant addition to their collection with an exhibition and commissioned smoke sculpture in October 2020 titled, A Rose for Reno that will take place during the Museum’s Art + Environment Conference focused on Land Art: Past, Present, and Futures.

Additional smoke sculptures in the US and abroad are planned for later in the year. The Through the Flower Art Space exhibition celebrates Chicago’s long history working with pyrotechnics, her ongoing collaboration with husband photographer Donald Woodman on these projects, and her status as a pioneer in the performative medium

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